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| front |
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| side view |
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| back |
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| pegbox/neck joint and bone detail |
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| Tuning the thing |
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| Lute players in the ancient music meeting with Masud Razei in Móstoles Spain |
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| Front view fully stringed |
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| Pegbox |
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| Ten and eleven courses knot detail |
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| Left side |
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| Back |
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| Pegbox neck join |
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| Bone detail |
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| Bottom and counterface detail |
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| Shellac looks nice |
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| basses courses are slightly out the fingerboard |
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| 670 mm scale length |
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| Bowl |
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| Rosewood without purfins |
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| Veneered neck |
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| Ready to fitting the belly |
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| Back and counterface view |
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| Glueing the neck extension |
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| Easy to handle |
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| Rosewood inlayed to reinforce the neck extension |
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| Black veneer for the front |
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| Fourteen single strings courses |
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| fiveteen ribs without inlays |
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| Rosewood reinforcement in the back side to the neck bass courses extension |
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| Black sycamore veener for the front side |
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| Roberto and Miguel after a Vivaldi concert perfomance in Navalcarnero, handling their archlutes |
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| fully made in pine |
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| Peghead |
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| Pear tree for the frets |
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| Handmade rossette |
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| Rossette detail |
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| Purfins in the soundboard |
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| Side view |
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| Bookmached back |
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| V to join the backside purfins |
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| Peghead with common arrow join |
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| Purfins in the head |
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| Pegs in rosewood |
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| Original nail traces from the old furniture was made |
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| Mustache shape bridge |
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| Cedar top |
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| Pine for the box from a old cofee table |
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| The craks on the ribs are the original wood condition |
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| Nice compound back |
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| Cedar pegbox |
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| Rossette |
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| Rosewood bridge |
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| 650 mm scale length in A tuning |
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| Bridge detail |
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| Bottom |
